The Hawks Perch

Sketchbook & Starlight©

                                   Strong Men©

 Clyde turned 90 the first week in April. He told me this on the very day it happened, coinciding as it did with his morning 2 mile hike, a ritual which takes him circuitously round the pretty neighborhood and past my gallery just off Robinson Canyon Road.

 

The life of Clyde has happily been unfolding before me on the random days he stops in, sits in the Hawks Perch faded blue velvet easy chair, and retails the various wonders of an astounding career and fine life. Though others sit in that chair surrounded by my oil portraits, and paintings of wildly colorful flowers whose fragrance is turpentine and Dammar varnish, it is evolving into Clyde’s Chair. A pinched up now half empty plastic bottle of Arrowhead Water remains on hand if the weather makes his throat dry. That is Clyde’s Water Bottle.

 

Clyde is methodical, a consequence of his WWII army intelligence days when burdens were heavy and lives weighed in the balance. Now, he still figures statistical chances for all events,  calculates risk VS benefit, and knows how to brilliantly unwind a story with enough delicacy and no omissions so that the listener more than once pulls back in her opposite chair upon discovering the tilt, the leaning in for his crisp deep voice.

 

He is cautious in the matter of full disclosure. Over the past three months, characters appear with frequency who yet go unnamed for multitudinous references, then finally a first name, an initial, a location added. Which, for all I know, may be a string of aliases. It is, after all, his métier.  But I have yet to catch him on a slip up, so the constancy is due either to truth, or a canny brain that during the Big War and years into the Cold War made him a sought after discerner in matters of importance to men in high places, and good at playing it close to the vest.

 

Today, Clyde told me about his friend John, who is his same age, and lives in Salinas.

 

When Germany pushed their invading armies east, John was a seventeen year old Jew in Hungary. His parents quickly succumbed to concentration camp death. John was young and strong and put to work in a munitions factory the Germans had commandeered and refitted. The final war years played out in disarray. Nazi soldiers abandoned factories, moved populations to the camps, then news of the arriving American soldiers sent them fleeing. Prisoners who could run or still walk escaped to the surrounding forests.

 

On that day of liberation, an American soldier discovered John a mile outside the camp’s barbed wire, hunting for mushrooms and desperate for anything sustaining he could find.  That soldier was a GI from Salinas, California.

 

Here Clyde the storyteller readjusts his long legs, and lowers a strong arm down to the water bottle for a swig before continuing.

 

We next find John on the Atlantic coast of North America. He’s a quick study on English, is employed, and setting type for the New York Times. It must have been a stunning combination of talk, form filling out, phone calls and perseverance on the part of the Salinas soldier who found the boy in the woods of Hungary outside a German death camp, but he made it happen.

 

There’s an aside here and Clyde sits up for it, waving the air like briefly pulling a curtain in front of the words that he has just spoken. Clyde tells of John’s love for books. He’d been an avid reader through his youth. When the Nazi’s invaded his homeland, John hid armfuls of his precious books at the bottom of an elevator shaft. The building was destroyed but the elevator shaft, below ground, kept its secret. John dug up his treasure and carried it to his new country.

 

John’s soldier benefactor returned to Salinas and his family, and left the war behind. The boy he’d saved was well launched. As the years passed, they kept in touch. When John was going through some uncertainty with his love life, the soldier urged him to travel west, and he did, and they met again, in California.

 

John’s passion for reading drew him to the one place in town with the most books. He got the librarian job. There he discovered and fell in love with writings of John Steinbeck. What a writer! Hero of the downtrodden, seeker of justice. And Jewish! He couldn’t get enough of him.

 

For the uninitiated (my aside here) Salinas was Steinbeck’s home town. Steinbeck was increasingly famous if not notorious in the post war years, hated by Californians up and down the coast and inland who had been depicted so harshly with his pen in The Grapes of Wrath.

 

Now Hungarian John was on a mission. He wanted local access to and recognition for Steinbeck’s books. He wanted a room designated in his honor in the Salinas library to hold everything Steinbeck ever wrote. Nobody else had the heart or pocketbook for any such thing. But this was a lad of courage who already survived the darkest days the world had known and he didn’t view obstacles the way most folks might. So John started a letter writing campaign to more certain allies, the librarians of Elsewhere, America, far enough east from the stinging indictments of the author to adore him too.

 

Books began pouring in. First editions, magazine stories, collected works, four, five, ten copies of Steinbeck novels for the library shelves. The meddlesome obvious remained: where to put it. For the Salinas Library would not be scandalized by the collected works of a reprobate, local or not, collected or not by an American-rescued Nazi concentration camp surviving Hungarian Jew who had shown up on Main Street.

 

So Hungarian John made a John Steinbeck Memorial Library out of one of the two rooms in his little house. And when hostility encompassed even decor, John built the reading tables and chairs himself, too, and painted the sign he nailed to his front porch.

 

I like thinking of my country as a hodge-podge kind of many parts. The drifting airborne seeds of far away lives….when they come to ground here will they take strong roots like they had or hoped for in their homeland and prosper. What dimensions and textures are added. What flavors and shapes us natives have not known before will show up in the streets and in the shops…..and in our small town libraries.

 

Like most Americans, my favorite immigrants are the ones who love their new home, my country, as much as I do; get savvy to its faults and relish the differences that propelled them in fear, far from what was familiar, and have the wisdom to give their thanks and adjust their loyalties.

 

And America will always be composed of large cities where a foreigner, maybe a Hungarian boy, can set type for a big English language newspaper. Where a Jew can settle down and raise up a stir in a small western town populated by Presbyterian farmers and Catholic fruit pickers. Where a death camp survivor who saw books burnt is saved by a GI 2000 miles away then turns up in Salinas to build a library for a writer simply because he really likes the words the man wrote.

 

 

 

 

NOT MY FLAG!

The Legend of Tommy O’Toole – Not My Flag, Not On My Watch

I did this oil painting (30 X 40 inches)  in the early ’90′s, using the New York Daily News front page as reference. The full story on O’Toole and my experience (see headboards on front page of The Hawks Perch, above).

Ex-Marine Sgt.Thomas O’Toole was a NY Supreme Court officer when he saw demonstrators across the plazas where he worked, setting fire to the American flag. He had just returned from open heart surgery, but ran down three flights of steps, across the plazas at downtown Brooklyn’s courts, and put out the flames with his bare hands.This painting was exhibited at the FBI Academy in Quantico, Virginia in 1994, and became the centerpiece of a traveling Law Enforcement Action Paintings, a series of fifteen oil paintings I did while working on designing and sculpting the memorial to slain police officers of New York.

Full Color, Signed Posters are still available for $35 each (handling, shipping and tax is included in that price), though there are not many left.The poster, including the two inch white border, measures  19 X 25 inches.

If you’re interested in purchasing one or more, please email me, bdsparhawk@yahoo.com.



Zero Gravity Flight

I heard a great guy on Coast to Coast last night, whose name is Peter Diamandis.  He’s just published a book called Abundance. What a thrill to hear someone so pleased with the progress of man and excited about our future, and marveling at how far we’ve come. Diamandis, who’s an engineer, medical doctor, scientist, author… said he was reading, long ago, about Charles Lindbergh and that he’d made the transatlantic flight because there was a contest with a reward. The reward was a fraction of what it cost to make the plane and flight, but Lindbergh, and many others were drawn to it because it was a contest. So Diamandis set up similar contests, called the X Prize, to draw inventors into phenomenal work they were challenged to do that would alter the course of mankind.

This followed his own plan, which took eleven years to bring to fruition, to make zero gravity flight experiences available to the public, to the average guy.

You can read all about it first hand, and  I guarantee it will thrill you to see what they’re up to, at www.gozerog.com. It’s the website for the Zero G Corporation. And Diamandi’s book is “Abundance.”

Coast to Coast Treat

It’s hard to imagine anyone’s missed late night radio’s miraculous Coast to Coast, the brilliant voyages begun by Art Bell and now with George Noory at the helm. There is no topic from string theory and aliens and psychic phenomenon, Atlantis, medical miracles, cures, and sun spots and how to communicate with animals and pyramids, flights of fancy and flights to Mars that isn’t covered, as well as economic disasters, spelunking, how to patent a design, earthquakes, and remote viewing. That’s the short list.

Last night was a special winner with a wonderful and brilliant man named Peter Diamandis who just wrote “Abundance” projecting the future of mankind, a true American entrepreneur inventor. More about him later. The payoff came in the last few minutes, and the whole night would have been hard to top but for Luke who called from South Carolina, expressing some alarm about worm holes, close encounters, and aliens. This is an approximation of the conversation, but it’s about right and it’s rich:

LUKE  Like I was telling the guy who answered the phone (here’s a guy who knows from aliens but not screen callers, like he’d gotten George Noory out of bed at home) I never heard of this before but maybe you did. Well, I’m here in South Carolina, and I had one of those wormholes down the way.

GEORGE  No kidding!

LUKE  Right, a wormhole, and I watch it, you know, stuff going in and out all the time. But they moved the hole!

GEORGE  They moved it? No, I never heard of that. The wormhole? Well what did they do with it?

LUKE  Well they go in and out. They fly in and out, you can watch the lights. They go up, then they’ll come back down and go in it then fly out of it. And I seen them go up and take people out of their houses.

GEORGE  Out of their houses? You mean they fly over them in like…a beam of light?

LUKE  Yeah, the light shoots down to the house and the people get taken right up in it. But the thing is they moved it, moved the wormhole, now I don’t see it any more.

GEORGE  Well, are they awake or asleep?

LUKE  Well, I don’t know. How’d I know if they were asleep?

GEORGE  Well are they lying down like they’ve been asleep in bed or standing or what…

LUKE  Well no they’re sitting, in their chairs, they go right up into the light, in their chairs.

GEORGE  And the chairs get beamed up too with the people in them?

LUKE  Well, right, chairs and all, right.

GEORGE  Well no, I never heard that. Do you go the next morning to talk to the people inside the houses?

LUKE  Oh no, no I never did that, no I’m not going to talk to the people.

GEORGE  But they’d tell you, if they come back they’d tell you all about it, do they come back?

LUKE  Well they come back all right, but I don’t know, I don’t know. There was a couple in one of the houses, you know, well they both died. Not right then but soon, both of ‘em died. No, I wouldn’t go talk to them, no.

GEORGE  Well that is something.

LUKE  Well the thing is that they moved the wormhole. It’s not here any more, it used to be right out there.

GEORGE  Well no, I never did hear of that.

LUKE  Never did. Never did hear of the wormhole getting moved, well. Well, I wondered.

GEORGE  That is something, that the wormhole got moved.

It turned out to be the end of the show, and as George Noory is announcing the producers and the farewell I’m screaming at the radio DON’T LOSE LUKE!! Keep talking!! But it was all over. I hope we hear updates. I love my country.


Egypt’s Pyramids Not Built of Stone

Hows about glass. Or if not glass, something else, wood, or clay, something frangible…It just strikes me that the imaginings consistently fail to answer questions so maybe we’re all on the wrong track.

Maybe the ancient Egyptians figured out how to liquify then pour stone and the building of it was done with easily constructed and maneuverable wood forms. The same might apply to Easter Island’s mysteries, to Stonehenge.

Let’s say…whoops… humankind simply forgot the formula. Say it used to be done all the time, no big deal. Say some old bricklayer’s journal from a hundred thousand years ago is uncovered. He has written:

     “Really this seems a waste of time to me when the bears need herding and the orangery needs a new roof, but the wife wants me to record the formula. She had a dream everybody forgot then the whole city collapsed and a plague came. Boy am I sick of plagues.

      “So here it is: To make rocks of granite for building, you first get the granite or whatever you’ve got handy into liquid form so you can work with it easy as pie. ‘Everybody knows that. Try to get some of these modern kids to carve stone, forget about it. So it needs to get into liquid. Do it on Monday, National Look Up At The Cliff day. You climb up to a hill top with your buddies and some good corn liquor and a couple of friendly girls and when you’re all feeling happy and strong you loosen up some big stones from the hill and roll them off the cliff. Try to get them near the workshop. The rock pushing thing always has a sweet effect on the girls. Then you walk down the hill. Then you soak your chunks in sea water and lavender branches, don’t forget the marjoram and a bit of hay, and saffron if you’ve got it, and some like adding tail of lizard but go easy or it’ll never melt. On Tuesday under a full moon (National Take A Bath Today day) everybody from the east meadow Magic Huts of Knowledge and Splendor comes over and spits on the rocks twice while three elders and one comely virgin dance the Make the Stone to Liquid Dance. And don’t forget to make a feast or you never get them back. (Bear is good, some like fish and there’s always one vegetarian; give the mother-in-law something special). You repeat this for two hundred years and you’ve got liquified rock and that’s how we build all the big stuff. Good thing I’m writing this down on cloth. Everybody knows cloth lasts forever. Okay. The bride is happy. I get sweet and sour barbequed mastodon toes for dinner after all.”


Light Like No Other Light

A gallery visitor, Rick, came into Big Sur late last summer and stayed long enough for one of those delicious conversations that ranged far and wide and touched on philosophy and the heart’s work and living a life.

He bought a painting, and did me the splendid favor of sending me photographs of his work, a lamp he made of metal and cloth. Isn’t it past belief in beauty and function? Don’t you just want to be in the same room with it…..

I have his permission to show it to you, and although he rarely does commissioned orders for his incredible inventions with light and glory, I’d be happy to pass on any questions or comments to him if you email me, bdsparhawk@yahoo.com, or leave a comment for him here we can all see. (click on the photos to enlarge).

Roberta Sari Kaplan

Oil on Linen



Roberta Kaplan was big part of my life in the New York and Brooklyn years. We waitressed together at “Chris’s” near City Hall. I started painting billboards; Bobby drove a taxi, night shift, in all the boroughs of NY with a gentle but impressively toothy Collie asleep at her side in the front seat. Remarkable, bold, beautiful young woman. I started writing news at CBS. She opened a little shop to sell her fantabulously gorgeous hand crocheted and knit clothing on West Third Street in Greenwich Village where the bar The Purple Onion once jazzed the neighborhood. She called it “Arabella”, named after her monkey, part of the great large menagerie of cats dogs ducks sundry and a rat named Ratsina. That’s not easy in that town, even for someone incredibly beautiful, sassy, inventive, original and talented.
Bobby was a Pratt Institute graduate, industrious as hell. She got hired at swank & famous Club 21, some coupe, the only female they ever hired in a permanently male staff. She was a kind of lightning in a bottle, game for anything.
The little shop went through the usual rough first year, then she was moving into the big time with a pending contracts from Bonwit Teller and Saks Fifth. She was starting to do custom orders for some famous NYers. She kept a bowl of Oreos along with bottles of chilled champagne at the front door for visitors. Class act.
What was more exquisite? The colors she used, special French died wools she gathered from all over the city and world, antique handmade buttons that sparkled in the dark, the supreme skill of the work, the tones and shades she combined that set you aflame or brought on a faint, the designs she invented, the sweaters and hats loaded down with crocheted flowers even Louis Carroll and Salvador Dali never dared dream, or just that clear, firm look …..a no-nonsense, square jawed, titian haired beauty who illuminated the air around her.
A stranger who’s never been caught ended that March 11, l983 when Roberta was 34 years old. He walked into her Greenwich Village shop and knifed her in the heart and killed her. Front page, Daily News. Weeping that didn’t end at such an impossible end. White coffin, like you’d want for a baby.


I miss her every day of the week. I have dozens of her creations that never went out of style, that I still wear, that will never be duplicated.
She was one of a kind.
She was an original.